My Mother Pretended to Support My Art Until the Live Stream Started – Part 2

Story code: ST-001152

Part 2: The False Script

The silence in the prep room was thick enough to suffocate. Eleanor’s expression froze for a fraction of a second before her charitable public mask snapped back into place, a practiced smile lifting the corners of her mouth.

“Mr. Henderson!” Eleanor said, her voice dripping with artificial warmth. “We were just practicing Maya’s speech. She gets so nervous before public speaking.”

Mr. Henderson didn’t smile. He looked at Eleanor, then down at my hands, which were still clutching the ruined canvas roll. His knuckles were white against his clipboard, but he didn’t say a word. He couldn’t. He knew as well as I did that the school’s entire art budget depended on my mother’s goodwill. He gave a stiff, formal nod.

“They are ready for you on stage, Eleanor. Maya,” Mr. Henderson said. His voice was lower than usual, stripped of its normal enthusiasm. He glanced at me, his eyes lingering on the rolled canvas. “We need to set up the presentation easel.”

“Of course,” Eleanor said, placing a firm, guiding hand on my back to push me toward the stage door. “Maya, leave that old roll here. We only need the charcoal sketch on display.”

I hesitated, but she nudged me forward, forcing me to set the canvas roll down on a prep table near the stage entrance. Mr. Henderson watched us go, his jaw set in a tight line.

The bright studio lights hit my face the moment we walked onto the presentation stage. The gallery crowd was gathered in neat rows below, their faces obscured by the glare of the television lights. Three large cameras were positioned in front of us, their red recording lights glowing. On the central easel sat my charcoal backup sketch-a simple portrait that lacked the depth and soul of the painting Eleanor had destroyed.

The live stream reporter, a woman with a bright smile and a clip-on microphone, gestured for us to stand on the designated floor markers.

“We are live in three, two…” the floor manager signaled, dropping his hand.

“Welcome back to the Oakridge High Annual Art Fundraiser,” the reporter said to the camera. “I am standing here with our featured student artist, Maya, and her mother, Eleanor, who is not only a major patron of the school but, we hear, the driving force behind this incredible talent. Eleanor, how does it feel to see your daughter’s work featured tonight?”

Eleanor leaned toward the microphone, her voice carrying beautifully across the speakers. “It is an absolute dream come true. Maya and I have worked hand-in-hand on her artistic journey. I always tell her that true art requires discipline and family support. I’m just happy I could fund her passion and help her co-create these beautiful visions.”

The crowd clapped politely. The reporter turned the microphone toward me. “And Maya, what do you have to say about your mother’s incredible involvement?”

I stared at the black lens of the main camera. My throat felt dry. I could feel Eleanor’s eyes boring into the side of my face, a silent threat radiating from her stiff posture. My mouth opened, the forced script sitting heavy on my tongue.

But before I could speak, Mr. Henderson walked onto the edge of the stage. In his hands, he carried the heavy, rough canvas roll I had left on the prep table. He walked straight toward the secondary easel, his face grimly determined.


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